Skip to Content
Search Results
Mia S. Willis

for imam khaliifah ibn rayford daniels.

By Mia S. Willis when the state murdered a poet
none of us slept none of us deserved to
the way we stood by with pens and phones and helpless guilt
Raye Hendrix

What Good Is Heaven

By Raye Hendrix when my mother dreamed of children she pictured
things in bowls beautiful fish gracing over

brightly colored stones clear water a bowl of her favorite
fruits ceramic overflowing pears and tangerines

blueberries fat with sweet
Olatunde Osinaike

Cold Open

By Olatunde Osinaike Three stories below,
you’d mosey in, depart
in the same way:
short of our buzz or us
letting you in.
Simon Shieh

Speaking of History

By Simon Shieh Speaking of History

I don’t want to say too much

[ ]

Your absence made the train car redolent of history
Aliah Lavonne Tigh

Body Under Another’s Tradition

By Aliah Lavonne Tigh Everyone in Anatomy pairs up,
receives a small baby pig.
The scalpel shines like water or a mirror—if you look, you see
yourself: gloved hand pushing a blade to open
the other animal’s chest. Someone drops
a knife, shouts,
Clean it up. This is how we learn to
dissect a body.
Kat Abdallah

Performativity

By Kat Abdallah My teachers ask me
after seven months of genocide
if I’m holding up alright.
Issam Zineh

Form & Occasion

By Issam Zineh The grammarians are up
in arms, and the war over
the semicolon has been reignited.

Today, the legislator notes his preference
for certain kinds of killers. Those,
one might say, with a European sensibility.
Tonee Mae Moll

Burning Haibun as Portrait: 9 months on HRT, Georgia on MS Word

By Tonee Mae Moll The font, not the nation, nor the southern state where lawmakers are folding the idea of the monster of my body into votes from folks whose homes they know are marked for flooding. I suppose I mean typeface—I’m supposed to remember the difference— like all exquisite things, we’ve got this etymology that feels apocryphal anyway. Anyway, let’s suppose I am a transitional shape.
Opal Moore

Spring Mix, for Ahmaud

By Opal Moore A small bird built a secret nest
beneath my balcony. There must be
hatchlings there, out of view.
She flies back and forth, small prey
in her beak.

Some kind of wren, I think.
Small, brown and quick. No time for
singing midday. Duty
is her instinct.
Gbenga Adesina

PARADISE

By Gbenga Adesina North of the country, a road led to the desert.
Dust was the first sentence. The Sahara
was a white darkness in the distance,
and beyond it the glint of a Great Lake.
We drove past fields of ginger and wild purple onions.
There was a public garden and a ring of white egrets
around still water.
Page 1 of 24 pages