The B-Sides of the Golden Records, Track Two: “Sounds of Human Labor”
By Sumita ChakrabortyWe may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Sumita ChakrabortyWe may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
By mónica teresa ortizI wake up sleepless inside a room overlooking giants//mist peeling over olive trees//clouds of pleasure
By Kateema LeeShe grew up hearing about girls
who never made it to womanhood, girls
whose names wore away with each decade
By Juan J. MoralesLike two hands pressed
together, they are twice as large
on the island. One feeds
By Janlori GoldmanHis face stared out into the living room
of my grandparents’ walk-up on E. 13th.
After they died my father hung him
By Deborah A. MirandaThe people you cannot treat as people
Whose backs bent over your fields, your kitchens, your cattle, your children
We whose hands harvested the food we planted and cultivated for your mouth, your belly.
By Kimberly BlaeserScientists say my brain and heart
are 73 percent water—
they underestimate me.
By Lisbeth WhiteAt the end of the field are tracks
train metal iron sound called whistle
to me a blare that splits air before it
By Margo TamezThe weather in Brecksville was in transition.
He was wearing a light jacket. The seasonal
change of weather variations,