Self-Portrait as Vincent Van Gogh in the Asylum at Arles
By Roger ReevesThe moths in the orchard squeal
with each pass of the mistral wind.
Yet the reapers and their scythes,
out beyond the pear trees, slay wheat
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Roger ReevesThe moths in the orchard squeal
with each pass of the mistral wind.
Yet the reapers and their scythes,
out beyond the pear trees, slay wheat
By Beth SpencerIn the atrium of the principal church
in a certain Irish city
it is said a girl can find beneath a bench
among the tea roses the name of an abortionist.
By Ailish HopperTension makes
a form resound
and so the many lines I am told
not to cross
By Bettina JuddLucy didn’t scream like most. Though sometimes she
would moan--deep, long and overdue. I’d wake
thinking death. It’s her, knees curled under, head face
down, her body trying to move out of itself. Anarcha
By Julie EnszerThe painters call before we move into the new house. Ma’am, they say—
I am not old enough to be a ma’am, but I don’t correct them—
Ma’am, they say, we smell gas.
I dismiss their concern. I say, Keep painting.
By Sara BrickmanThey do not want me to be a river, but I am unstoppable.
I am the perfect instrument. Capable
of every sound, but here the only sound you hear under
me is No. Is, Please. The men
By Rachel Eliza GriffithsI remember the boys & their open hands. High fives
of farewell. I remember that the birches waved too,
the white jagged limbs turning away from incessant wildfires
By Joshua WeinerToday is Sunday.
Today, for the first time, they let me go out into the sun.
And I stood there I didn't move,
struck for the first time, the very first time ever:
By Kelli Stevens Kaneblueberry blackberry as always
bleeding, back road or boulevard,
our boy crowned with baton,
By Allison Adelle Hedge CokeIn a room facing chimneys
over the place Nancy Morejón rests
between sleeps lining free lines
she whispers to hearing DC: