The B-Sides of the Golden Records, Track Two: “Sounds of Human Labor”
By Sumita ChakrabortyWe may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
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Provocations 1
By mónica teresa ortizI wake up sleepless inside a room overlooking giants//mist peeling over olive trees//clouds of pleasure
Of Avocados
By Juan J. MoralesLike two hands pressed
together, they are twice as large
on the island. One feeds
Ode to Jacob Blinder
By Janlori GoldmanHis face stared out into the living room
of my grandparents’ walk-up on E. 13th.
After they died my father hung him
We
By Deborah A. MirandaThe people you cannot treat as people
Whose backs bent over your fields, your kitchens, your cattle, your children
We whose hands harvested the food we planted and cultivated for your mouth, your belly.
From “Shadow Poems”
By Jennifer FoersterThe war appeared to be coming to an end.
The no-name people not yet taken
left their crops for summer’s drought.
Equinox
By Tamiko BeyerDear child of the near future,
here is what I know—hawks
soar on the updraft and sparrows always
return to the seed source until they spot
Ode to Mennel Ibtissam singing “Hallelujah” on The Voice (France), translated in Arabic
By George Abrahammaybe if , ash & smolder way the – tongue own my in never but song this heard i've
– it birthed who fire the not & gospel become can , mouth right the in seen
we ask mama-n-em, “where is the motherworld?”
By Destiny Hemphilllisten.
it’s in, not at. in the whistle & hiss, the steam of your breath as you chant
we ready (we ready), we comin (we comin) atop of a jail
building in ruins. yes, it’s in your breath & in the never dwindling
kindle of your fingertips as you reach out & touch