Ceremonias De La Superviviencia
By Baruch Porras-Hernandezat the movies my eye on the Exit sign
on the aisles the doorways the space
between the seat in front of me and my legs
how far could I crawl
before I die?
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Baruch Porras-Hernandezat the movies my eye on the Exit sign
on the aisles the doorways the space
between the seat in front of me and my legs
how far could I crawl
before I die?
By Arisa WhiteEverybody she died another is dead everybody
dead and AIDS of AIDS my dead she is
there are more I know with the same story hiding
lips stitched hesitant to speak of someone you knew
By Jessica JacobsArkansas is aspic with last-gasp summer, making running
like tunneling: the trail’s air a gelatin
of trapped trajectories.
By Lauren Mayme and all of my selves
we run like we’ve been here before
like we know what’s waiting here
and it's nothing
nothing for us
anyway
By Rasha Abdulhadidaughter of a palestinian that i am,
when i see a bloc of young people holding the street
it seems i was born with a rock in my hand
against a line of police in battle gear—
and i’ve found the world expects that’s who i am.
By Kit YanThey are giving out Turkeys at the Public Assistance office,
Wrapped in plastic,
The legs folded in, balled for convenience,
You must have had to write your name on a raffle ticket,
I came too late to see the process.
By sam saxsometimes i wonder what happens to people’s hands when they disappear
in their pockets. of course, my rational brain knows they go on being hands
but there’s still the question. i wonder if object permanence isn’t the biggest
trick of them all, a scam, a way to ground the brain in its thin bath of liquid
By Kay Ulanday BarrettIn summertime, the women
in my family spin sagoo
like planets, make
even saturn blush.
By Raquel Salas Riveralos blancos en sus casas lloran
porque han tenido que desahuciar a sus huéspedes.
los apellidos y las propiedades lloran
porque han quemado los títulos de propiedad
de los gusanos.
***
the whites cry in their houses
because they’ve had to evict the guests.
the last names and the properties cry
because they’ve burned
the worms’ deeds.
By Amir RabiyahAs the sun sets—we set our plan into motion.
Our sole purpose to overthrow
any assumptions, to change
the course of ordinary thinking.