The B-Sides of the Golden Records, Track Two: “Sounds of Human Labor”
By Sumita ChakrabortyWe may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Sumita ChakrabortyWe may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
By Siaara FreemanWhen I say ancestors, let’s be clear:
I mean slaves. I’m talkin’ Tennessee
cotton & Louisiana suga. I mean grave dirt.
By Liv MammoneThe train is a creature that moves like water.
It has no eyes, only a sharp
mouth that closes on those too slow.
By Zefyr LisowskiWas not a monster— (His hands were soft)
Was not an abnormality— Was not just
“being a boy”— Had no reputation—
By George Abrahammaybe if , ash & smolder way the – tongue own my in never but song this heard i've
– it birthed who fire the not & gospel become can , mouth right the in seen
By Azura TyabjiIf the meaning of the prayer was not passed down to you,
find it through holier means than translation.
Cling to the rhythm instead.
By M. KamaraAnd a white person says racism is dead
and a white person jokes about slavery
and a white person lives unbothered
and a white person screams about immigrants
By Justice Ameer/ he asks me how it feels /
it’s no simple curiosity
nor a question without consequence
phantom of longing lingers so
subtly on the last syllable
By torrin a. greathouseThe body scanner says my name & my flesh are suspicious
abandoned baggage. A voice on the loudspeaker says to report
any & all unaccompanied luggage it could contain anything.
Clothes, or drugs, or a body folded economically. Utilitarian
origami. Voice on the speaker says trust no one, says anything
could be a threat.