Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Jalynn HarrisAt the entrance, six copper pillars stand tall as a wave
as once did six-fingered Lucille. She lived here, too–
The light alone enough to fill the lake. I walk the park
because I’m weak. All flesh and fur needing
to get out my bark. My rough squeeze of please please
A red bird. Another mile. My feet eat the concrete.
By Cass GarisonI adore the carnations & I adore
the trains, specifically the boxcars
with endings & beginnings I can’t
keep track of, who drag their stretched
torsos like absolute creatures around
what seems like earth’s clearest curve.
By Jasmine Reidi spread at my touch & clit
contemplating my beauty this Monday i live
the pleasure of my fingers
how i am in-the-making by hand
by pill by needle i am the perfect girl
professor, in fact, Chemical X is my love
in gradients of acidity i am
milkless except by oats, by meal made of itself
By Farrah FangIn Houston they don’t really call it a laundromat
It’s a washateria or la lavandería
Today you go to the one on Airline and Tidwell
The chronic pain and weakness in your body
Makes it difficult to relocate canastos of clothes
From home to your car, to the washateria, to inside the machine
By Miller ObermanPreposition, before location. An indeclinable
word or particle. Indeclinable. That which
cannot be turned aside or shunned. Inevitable,
un-deviating. I practice a kind
of time travel. Bringing beside me
ancestors I never knew existed before,
beneath, under, towards. This travel
unimpacted by time, space or death.
By féi hernandezSimultaneously I am
alone and crowded, this…
the pulsing wound of being extinct,
whole
enough for a morning forage,
yet scant for the onlookers
of lineage,
of nation,
myths in the mulberry tree.
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By Robin GowSomeone I love is turning into an asterisk
and so I am running and the vultures are
as hungry as they’ve ever been. The size of genders.
The size of fatherhoods.
By Arumandhira HowardWe are made shy / sun, kissing another heartless / night awake. We are made satin silking / pompon locs. Cotton, banana pudding, baby’s / breath. These cornbread thighs, our blessed butterfly / knives. We are made to de-stem hardened men like bull-headed / bougainvillea.
By Tonee Mae MollThe font, not the nation, nor the southern state where lawmakers are folding the idea of the monster of my body into votes from folks whose homes they know are marked for flooding. I suppose I mean typeface—I’m supposed to remember the difference— like all exquisite things, we’ve got this etymology that feels apocryphal anyway. Anyway, let’s suppose I am a transitional shape.
By Jada Renée AllenThere’s a light, a certain
kind of light that has never
shone on me—
Nina’s version.
Not the Bee Gees
or even Janis Joplin,
but the way Nina
sings it, almost a plea.