gxrl gospel ii: when thrown against a sharp white background
By Aurielle MarieI always feel Black, y’ know? | I close my eyes at night & the tar behind them lids | ain’t nearly as dark as me | I wake to a thousand white daggers
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Aurielle MarieI always feel Black, y’ know? | I close my eyes at night & the tar behind them lids | ain’t nearly as dark as me | I wake to a thousand white daggers
By Tiana NobileWhen you held him, how heavy was his head cradled in your lap? How long did you carry that
weight in your thighs?
By Sumita ChakrabortyWe may try to change the shape of your body, or the color of your skin,
or the kinds of sounds that your mouths make, to match how we think you should.
By Saretta MorganMore than a decade after being sentenced I share the news with my mom.
By adrienne maree browneven now
we could be happy
even now
breathing in
filling our bodies with right now
By Rio CortezJust as close to living as you are to disappearing knowing
my limits you locate the tender spots without.
By Ashna AliOn an assemblage of screens on another firework evening
Ruthie Gilmore reminds us that abolition is not recitation.
By Hayan ChararaThe Arab apocalypse began around the year
of my birth, give or take—
the human apocalypse,
a few thousand years earlier.
By Caridad Moro-Gronlierif i should
take you
to that spot
by the water
you can’t pronounce
but love