Graveyard Picnic
By Ina Cariñomemory of magnolia on lapels. grandfather’s paper
cheeks pale, teeth whiter than frosted hibiscus.
when I visit the mausoleum, I lay a white cloth on his tomb,
mesh of cobwebs stretched across the buds
Calling poets to a greater role in public life and fostering a national network of socially engaged poets.
By Ina Cariñomemory of magnolia on lapels. grandfather’s paper
cheeks pale, teeth whiter than frosted hibiscus.
when I visit the mausoleum, I lay a white cloth on his tomb,
mesh of cobwebs stretched across the buds
By GoldenEyes open: I see every planet ————————–[pregnant]
with [pedestrians] –—————in their—————–[rivers]
& I wonder if this is the ————————————[Matrix]
reloaded in my [brain] ————the———————[agents]
telling me red is ———————————————[ripe]
[nectar] ——————for tomorrow’s——————[burial]
By Faylita HicksCrawling out from between the legs of a woman
with my name still wetly slathered across her chin,
I cradle the lewd silk of our venom
up against the hot swell of my caged chest, wade out
through her front door, into the murky billows
of the damned and the damnable,
By Joshua NguyenTo begin, let us end
this sentence with no friends or en
emies. Just wrong destin
ations to sad desks in Am-
hurst.
By adrienne maree browneven now
we could be happy
even now
breathing in
filling our bodies with right now
By mónica teresa ortizI wake up sleepless inside a room overlooking giants//mist peeling over olive trees//clouds of pleasure
By Ashna AliOn an assemblage of screens on another firework evening
Ruthie Gilmore reminds us that abolition is not recitation.
By Aurora Levins MoralesWhy do they call us "the patient"
We are not patient. We endure.
By Joselia Rebekah HughesBlack able rack able
hack able tack able
lack able slack able
By Liv MammoneThe train is a creature that moves like water.
It has no eyes, only a sharp
mouth that closes on those too slow.