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The Museum of Stones

By Carolyn Forché
 

 

These are your stones, assembled in matchbox and tin,
collected from roadside, culvert, and viaduct,
battlefield, threshing floor, basilica, abattoir–
stones, loosened by tanks in the streets
from a city whose earliest map was drawn in ink on linen,
schoolyard stones in the hand of a corpse,
pebble from Apollinaire’s oui,
stone of the mind within us
carried from one silence to another,
stone of cromlech and cairn, schist and shale, horneblende,
agate, marble, millstones, ruins of choirs and shipyards,
chalk, marl, mudstone from temples and tombs,
stone from the tunnel lined with bones,
lava of a city’s entombment, stones
chipped from lighthouse, cell wall, scriptorium,
paving stones from the hands of those who rose against the army,
stones where the bells had fallen, where the bridges were blown,
those that had flown through windows, weighted petitions,
feldspar, rose quartz, blueschist, gneiss and chert,
fragments of an abbey at dusk, sandstone toe
of a Buddha mortared at Bamiyan,
stone from the hill of three crosses and a crypt,
from a chimney where storks cried like human children,
stones newly fallen from stars, a stillness of stones, a heart,
altar and boundary of stone, marker and vessel, first cast, lode and hail,
bridge stones and others to pave and shut up with,
stone apple, stone basil, beech, berry, stone brake,
stone bramble, stone fern, lichen, liverwort, pippin and root,
concretion of the body, as blind as cold as deaf,
all earth a quarry, all life a labor, stone-faced, stone-drunk
with hope that this assemblage of rubble, taken together, would become
a shrine or holy place, an ossuary, immoveable and sacred
like the stone that marked the path of the sun as it entered the human dawn.

Added: Thursday, June 11, 2015  /  Carolyn Forché reads "The Museum of Stones" at the 2008 Split This Rock Poetry Festival: Poems of Provocation & Witness at the Bell Multicultural High School in Washington, DC.
Carolyn Forché
Blue Flower Arts

Carolyn Forché is a poet, translator, essayist and human rights activist. She is the author of four books of poetry: Gathering The Tribes, which received the Yale Younger Poets Award, The Country Between Us, chosen as the Lamont Selection of the Academy of American Poets, The Angel of History, which won the Los Angeles Times Book Award, and Blue Hour, a finalist for the National Book Critics Circle Award. She has translated Flowers from the Volcano and Sorrow by Claribel Alegria, The Selected Poems of Robert Desnos (with William Kulik), and Mahmoud Darwish’s Unfortunately, It Was Paradise (with Munir Akash, Amira el-Zein and others). She compiled and edited Against Forgetting: Twentieth Century Poetry of Witness (W.W. Norton & Co., 1993) and Poetry of Witness: The Tradition in English, 1500-2001 (W. W. Norton & Co., 2014). She has received three fellowships from the National Endowment for the Arts, a John Simon Guggenheim Fellowship, a Lannan Foundation Fellowship and other literary and teaching awards, including the Robert Creeley Award in 2005 and The Golden Rose from the New England Poetry Club in 2008. She has been a human rights activist for thirty years, and in 1998, was presented the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture. In 2004 she became a trustee of the Griffin Trust for Excellence in Poetry, Canada’s premier poetry award. She serves as Executive Vice President of Cities of Refuge, North America. Forthcoming books include a memoir, a book of essays and a fifth collection of poems, In the Lateness of the World. She has taught poetry and literature for thirty-five years, and holds the Lannan Chair of Poetry and Poetics at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Other poems by this author